About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Venus, imploring Vulcan armor of Aeneasovu
Date:
1732Medium:
oil on canvasLocation:
Louvre, Paris, FranceDimensions:
252 x 175The painting depicts a scene with mythological figures. In the foreground is a man with a bow and arrows who appears to be flying on a cloud, surrounded by two women and two cherubs. Two swans and other clouds can be seen in the background, which supports the impression of an otherworldly setting. All the figures have idealized proportions and the scene abounds with light and shadow effects typical of Baroque painting.
Created by artificial intelligence, please be lenient. Boucher painted picture Venus, imploring Vulcan armor of Aeneasovu in 1732. Prevailing color of this fine art print is vivid and its shape is portrait. Original size is 252 x 175. This art piece is located in Louvre, Paris, France. This image is printed on demand - you can choose material, size and finishing.
François Boucher (1703-1770). He was a French painter and one of the main representatives of the Rococo style. He also worked as a court portraitist of Madame de Pompadour. Further, he was an excellent draftsman, and his way of drawing is reminiscent of
Rubens and
Watteau. According to some sources, Boucher created over 10,000 drawings and a wealth of images. The tapestry manufactory of Beauvais plays an important role in his own work. Boucher’s other work includes various topics, such as portraits, historical and mythological paintings and pastoral scenes, among others. His choice of colour is subtle, motifs are very sensual and in portraits, Boucher focuses primarily on the elegant pose of the model, not psychology. With these capabilities, Boucher was considered one of the best painters of his time. However, already during his life, critics pointed to his affectation and artificiality. One of the much-trumpeted critics, Denis Diderot, accused Boucher of painting women as prostitutes and placating the tastes of the nobility. Diderot’s criticism caused the public to condemn, rather than admire, Boucher by the end of his life.