About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Campo Vaccino - Rome
Date:
17th centuryMedium:
oil on canvasLocation:
Dulwich Picture Gallery, London, UKDimensions:
78.1 x 106.1The painting depicts a classical landscape with antique ruins and columns that evoke ancient architecture. In the foreground, people in period dress are resting and conversing in the shade of a tree. In the background, figures are visible next to horse-drawn carriages and buildings with characteristic arches and terraces that further enhance the historical atmosphere of the scene. Overall, the painting presents a scene of quiet everyday life amidst the ruins of a rich history.
Created by artificial intelligence, please be lenient. Lorrain painted picture Campo Vaccino - Rome in 17th century. Prevailing color of this fine art print is vivid and its shape is landscape. Original size is 78.1 x 106.1. This art piece is located in Dulwich Picture Gallery, London, UK. This image is printed on demand - you can choose material, size and finishing.
Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting
The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of
Impressionism.