About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Children in flowers
Date:
1876Medium:
oil on canvasLocation:
private collectionDimensions:
60 x 97The painting depicts a child's portrait set in an idyllic garden setting. The child is wearing a blue dress and a wide straw hat. The child's face exudes serenity and is shown in a slight three-quarter profile. The background of the painting is composed of rich green tones of grass and colorful flowers, giving the impression of a warm, sunny day. The impressionistic style of the painting is evident through the broad brushstrokes and vibrant colours.
Created by artificial intelligence, please be lenient. Manet painted picture Children in flowers in 1876. Prevailing color of this fine art print is green and its shape is long. Original size is 60 x 97. This art piece is located in a private collection This image is printed on demand - you can choose material, size and finishing.
Édouard Manet (1832-1883). French
Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as
Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of
Impressionism.