About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Spanish singer
Date:
1860Medium:
oil on canvasLocation:
Metropolitan Museum of Art, New York, USADimensions:
147.3 x 114.3The painting shows an illustrated representation of a man sitting on a bench playing the guitar. The man is wearing a large black hat and his clothes look old-fashioned. He is wearing a black coat with a white shirt and a scarf tied around his neck. The image evokes a period around the 18th or 19th century. In the foreground, a broken ceramic vessel and a piece of bread lie on the ground.
Created by artificial intelligence, please be lenient. Manet painted picture Spanish singer in 1860. Prevailing color of this fine art print is vivid and its shape is portrait. Original size is 147.3 x 114.3. This art piece is located in Metropolitan Museum of Art, New York, USA. This image is printed on demand - you can choose material, size and finishing.
Édouard Manet (1832-1883). French
Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as
Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of
Impressionism.