About this finishing
Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.
You can find a detailed description about our finishings
here.
Morning in Eragny
Date:
1899Medium:
oil on canvasLocation:
The Israel Museum, Jerusalem, IsraelDimensions:
66 x 81,7"Morning in Eragny" is a painting by
Camille Pissarro , a Danish-French
Impressionist and Neo-Impressionist painter.
Pissarro created this work in 1896 during his later years. Eragny-sur-Epte was a village where Pissarro settled, and he found inspiration in the rural landscapes and scenes around him.
In "Ráno v Eragny," Pissarro captures the tranquility and beauty of the French countryside in the morning light. The painting likely features a rural
landscape with elements such as fields, trees, and perhaps houses or structures characteristic of the area. Pissarro was known for his interest in depicting everyday life and the changing effects of light on nature.
The brushwork in Pissarro's later works, including "Morning in Eragny," reflects the influence of Neo-Impressionism. He used small, distinct brushstrokes and a vibrant palette to convey the atmosphere and the play of light in the scene.
Pissarro painted picture Morning in Eragny in 1899. Prevailing color of this fine art print is green and its shape is landscape. Original size is 66 x 81,7. This art piece is located in The Israel Museum, Jerusalem, Israel. This image is printed on demand - you can choose material, size and finishing.
Camille Pissarro (1830-1903). French
Impressionist painter. He was obsessed with light and its effects and painted the same subject several times to examine the effect of time of day and season. This interest probably also led him to only paint landscapes and cities – there, he could take full advantage of natural light. As an impressionist, he used vivid and bright colours. Among painters, he was popular for his communicative nature – he did not hesitate to share his experiences and was not resistant to accepting new ideas from others. His work helped develop the impressionist theory and inspired other great painters of his time, like
Cézanne, Matisse, or
Gauguin. He also devoted himself to pointillism (see
Seurat).